Her discussions were focused on the plight of “Gypsies” or the more appropriate and politically correct term, ROMA. We have been discussing the “Gypsies,” their lives, jobs, and perceptions since week one. However, none of us knew much about their history or background. Mirela was able to provide insights in to their lives as she spent time getting to know the people in Campo Nomadi while making her documentary. She talked about the discrimination they faced and how such prejudices and stereotyping could be stopped. Throughout her presentation, she explained of the discrimination they endured not only from people all across
After a fifteen minute break, we headed to the Accademia di Romania (this place we learned does not offer courses; rather, it is more of a place that houses Romanian scholars who do research in
Immediately, we were greeted by the accademia’s art director. He was the epitome of a jolly old man! Nice and funny. He showed us around the extensive complex. One area was a huge room that displayed framed paintings along the walls. Right above that room was Mirela’s showroom for contemporary art. The artist who drew the picture at the end of the narrow corridor sells his work at auction for two to four million Euros!
One of my favorite rooms though was the library, famous for being the largest state library out of
The library contained around 34,500 books. It had an old world charm of tattered classic novels, antique ceiling lamps, and wooden railing balconies. Perfection. This is where our day ended. Sadly, partially dried shoes and clothes did not last long as we ventured out into the cold, rainy world (walking to Piazza del Popolo and “home”—Campo de Fiori).
Until tomorrow ciao!
Alexis and Teo
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